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      <image:title>Archives - “Grammar of Resistance”: Carnival as Political Counter-Narration in Grenada - Make it stand out</image:title>
      <image:caption>Photograph taken by Querine Salandy for Chambers Media Solutions “A Jaba Jab demonstration in Paraclete, Parish of Saint Andrew, Grenda,” circa 2025.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/who-tells-your-story-philip-schuylers-legacy-of-enslavement-and-freedom-beyond-hamilton</loc>
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      <image:title>Archives - Who Tells Your Story? Philip Schuyler’s Legacy of Enslavement and Freedom Beyond Hamilton - Make it stand out</image:title>
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      <image:title>Archives - Who Tells Your Story? Philip Schuyler’s Legacy of Enslavement and Freedom Beyond Hamilton - Make it stand out</image:title>
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    <loc>https://www.insurrecthistory.com/archives/vczgaj59ytbdhctoedf54foq5x4f68</loc>
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      <image:title>Archives - Mutual Aid in Early America: A Roundtable - Make it stand out</image:title>
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    <loc>https://www.insurrecthistory.com/archives/injustice-and-romance-critical-reflection-on-helen-hunt-jacksons-ramona</loc>
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      <image:title>Archives - Injustice and Romance: Critical Reflection on Helen Hunt Jackson’s Ramona - Make it stand out</image:title>
      <image:caption>“A Scene from the Ramona Pageant,” 2013, by Konrad Summers.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/zk7nvvz6lpq7fncf0sylbrt188j9bl</loc>
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    <lastmod>2026-02-24</lastmod>
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      <image:title>Archives - Taking One’s Place:&amp;nbsp; Affirmative Action and the Legacy of Academia’s Black Expats - Make it stand out</image:title>
      <image:caption>Frontis.: portrait of Phyllis Wheatley, and title p. of Wheatley, Poems on Various Subjects..., London. , 1773. Photograph. https://www.loc.gov/item/2004682060/.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/ngm4uofsyd0cwys3a7nvvj7169nvsv</loc>
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    <lastmod>2023-09-11</lastmod>
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      <image:title>Archives - Early American Disability Studies: Teaching (and Confronting) Internalized Ableism - Make it stand out</image:title>
      <image:caption>The print shows Laura guiding Oliver's hand on page of braille book. "The blind leading the blind by the light of intellect" is penciled on print. Oliver Caswell. Laura Bridgman / Painted by A. Fisher ; Lith. of Bouvé &amp; Sharp, Boston ; on stone by W. Sharp. [1844] https://www.loc.gov/resource/pga.12726/</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/what-newport-rhode-island-can-teach-us-about-the-myth-of-american-origin-stories</loc>
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    <lastmod>2023-08-22</lastmod>
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      <image:title>Archives - What Newport, Rhode Island Can Teach Us about the Myth of American Origin Stories - Make it stand out</image:title>
      <image:caption>"Touro Synagogue - Newport, Rhode Island" by Eric Gross Photography is licensed under CC BY 2.0.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/to-live-without-work-how-two-deaf-brothers-reimagined-their-lives-in-eighteenth-century-connecticut</loc>
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    <lastmod>2023-07-05</lastmod>
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      <image:title>Archives - “To live without work”: How Two Deaf Brothers Reimagined Their Lives in Eighteenth-Century Connecticut - Make it stand out</image:title>
      <image:caption>This woodcut of a rudimentary signed alphabet was published in the Philadelphia Magazine, January 1776. The anonymous article that accompanied it makes no mention of the potential uses for deaf or nonverbal people, despite the title referring to impairment. Courtesy of the John Carter Brown Library.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/refusing-berdache-becoming-two-spirit</loc>
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    <lastmod>2023-03-23</lastmod>
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    <loc>https://www.insurrecthistory.com/archives/statement-of-support-for-striking-workers</loc>
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    <lastmod>2022-12-12</lastmod>
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    <loc>https://www.insurrecthistory.com/archives/tohnbrmxe7zu3wvkxb9q15yoirgjtk</loc>
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    <lastmod>2022-09-08</lastmod>
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      <image:title>Archives - Abortion on the Margins: How Material Texts Shaped Early-American Reproductive Freedom - Make it stand out</image:title>
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    <loc>https://www.insurrecthistory.com/archives/writing-history-for-the-public</loc>
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    <lastmod>2022-08-25</lastmod>
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    <lastmod>2022-08-12</lastmod>
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      <image:title>Archives - An Interview with Recuerdos de Nicaragua, Part Three - Make it stand out</image:title>
      <image:caption>George Schmidt, Recuerdos de Nicaraguaua: Rancho de mineros chinos, ca. 1900. Chinese people first arrived in the Caribbean Coast in the late nineteenth century and lived in the cities of Bluefields, Puerto Cabezas, El Bluff and Laguna de Perlas. The majority of Chinese immigrants were from the Guangdong province. Many were likely attracted to the job opportunities in mining and logging. Later, many Chinese-Nicaraguans became entrepreneurs and opened general and clothing stores. The Chinese community in the Bluefields is believed to be the largest in Central America.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/s6hx3fd6iwj0ckif406nzqcv80y2bx</loc>
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    <lastmod>2022-08-10</lastmod>
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      <image:title>Archives - An Interview with Recuerdos de Nicaragua, Part Two - Make it stand out</image:title>
      <image:caption>Moravian Mission Fields. Heathen Sumu Indians, ca. 1900. Recuerdos de Nicaragua collection. Moravian Mission Fields produced this postcard with the caption "Heathen Sumu Indians." Sumu is a pejorative term for Mayangna tribal group in the Miskitu language. The Mayangna are a tribal group native to the Mosquito Coast. The family posed in the photograph are dressed in a traditional manner with the women wearing wrapped skirts, additionally, they are photographed barefoot. The Moravian Missionaries, who arrived on the Mosquito Coast, mainly from Germany in 1849, typically referred to Indigenous people dressed in their traditional clothing as "heathens." The missionaries discouraged the Indigenous populations from wearing their traditional garments, including tunu cloth, and encouraged them to wear Euro-American style dress and fashions such as bodices, skirts, dresses and pants for women with tops, pants, and suits for men. Western clothing and a "clean" appearance were considered to be a sign of a successful conversion to Christianity.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/2t6tukxoavrvb2bpnm4jsgcevcjdlc</loc>
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    <lastmod>2022-08-08</lastmod>
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      <image:title>Archives - An Interview with Recuerdos de Nicaragua, Part One - Make it stand out</image:title>
      <image:caption>Artist not known. Saludes de Bluefields, Miskito Indian girls pressing sugar-cane, ca. 1900.</image:caption>
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    <loc>https://www.insurrecthistory.com/archives/introducing-marisa-s-budlong-and-the-insurrect-public-history-fellowship</loc>
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    <lastmod>2022-06-30</lastmod>
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      <image:title>Archives - Introducing Marisa S. Budlong and the Insurrect! Public History Fellowship - Make it stand out</image:title>
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    <loc>https://www.insurrecthistory.com/archives/on-the-institutional-memory-and-memorialization-of-enslavement</loc>
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    <lastmod>2022-06-24</lastmod>
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      <image:title>Archives - On The Institutional Memory and Memorialization of Enslavement - Make it stand out</image:title>
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    <loc>https://www.insurrecthistory.com/archives/2022/02/10/notes-from-a-grad-school-survivor</loc>
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    <lastmod>2022-06-15</lastmod>
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      <image:title>Archives - Notes from a Grad School Survivor</image:title>
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    <loc>https://www.insurrecthistory.com/archives/2022/01/10/i-always-dressed-this-way-surfacing-nineteenth-century-trans-history-through-mary-jones</loc>
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    <lastmod>2022-05-12</lastmod>
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